#Digital performer 8 manual software
#Digital performer 8 manual professional

#Digital performer 8 manual software

The sound designer can use Digital Performer and other audio software to assign audio files to one or more of the 828’s outputs. This rack-mounted device has eight balanced quarter-inch outputs. The computer is connected to a Mark of the Unicorn 828 Firewire Input/Output device. The third approach uses the PowerMac G4 Digital Audio Workstation as a playback device. Since it is fully automated, an entire design can be programmed into it and triggered on playback automatically similar to the lighting designer’s two-scene preset lighting controller. This device represents the more recent trends in audio. This device is basically a sixteen channel/track automated matrix mixer that also triggers 48 kHz stereo wave files via internal hard drive. The second application allows the user to use the Richmond Sound Design Audio Box 1616 for audio playback. These devices can then be “mixed” using our twenty-four-channel console and routed to one or more of our twelve amplified channels of audio. The first approach allows the sound designer to create and playback cues using the conventional method of two-track playback devices such as the mini-disc, cassette and compact disc player/recorders.

Our new system allows the user to approach a design from one or more of three perspectives.

#Digital performer 8 manual professional

All of the new equipment meets professional standards. Finally, we improved our backstage monitoring system in the University Theatre and in Howard Auditorium. Digital signal processing capabilities (outside of the computer environment) were also added. Additionally, we have expanded our original six channels of audio to twelve channels of amplified audio.

However, we have added several computer-based components that can be interfaced with the more traditional equipment. The system remains conventional by retaining traditional playback devices such as mini-disc, cassette and compact disc players. The new design allows the user to compose and playback audio and music from one or more of several approaches. Since our goal is to prepare students for the technical requirements of the professional theatre, we felt it a necessity to improve our facilities. Only our audio amplifiers were considered professional gear. Our playback equipment was mainly comprised of consumer mini-disc players, cassette decks and consumer compact disc players. Our theatre had no digital signal processing capabilities. The previous system had a maximum of six amplified channels of audio, two of these controllable via auxiliary potentiometers. The previous system was comprised of pieced-together public address equipment not necessarily intended for theatrical use. The sound system was designed and installed in 2001 by Michael Rasbury and American Audio. Prepared Jby Michael RasburyUniversity Theatre Sound Installed 2001 Section I- Explanation and Concise Descriptions (about) (stone theatre sound manual) (pictures) (student creations)